Can sound be an ontological index of existence? The paper examines this question of sound ontology in Harold Pinter’s radio drama. It foregrounds the ontological gap between linguistic and non-linguistic sounds in A Slight ...

Graffiti-making as a disruptive art has been historically well located within the politics of territoriality/transgression, deindustrialization/decline, appropriation/affirmation and other inter-related frameworks. Such ...