Dil se: love, fantasy and negotiation in hindi film songs

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dc.contributor.author Kothari, Rita
dc.contributor.author Shah, Apurva
dc.date.accessioned 2017-03-15T12:33:49Z
dc.date.available 2017-03-15T12:33:49Z
dc.date.issued 2017-05
dc.identifier.citation Kothari, Rita; and Shah, Apurva, “Dil se: love, fantasy and negotiation in Hindi film songs”, Interventions: International journal of postcolonial studies, DOI: 10.1080/1369801X.2017.1294101, vol. 19, no. 4, pp. 532-549, May 2017.
dc.identifier.issn 1369-801X
dc.identifier.issn 1469-929X
dc.identifier.uri https://repository.iitgn.ac.in/handle/123456789/2709
dc.identifier.uri http://dx.doi.org/10.1080/1369801X.2017.1294101
dc.description.abstract This essay deals with the semantic and semiotic field of dil (heart) in Hindi film songs. Dil, as one of the most recurring motifs in Hindi film songs, provides a layered and dynamic view into the way self and non-self are both constituted by and reflected in language. As a trope, dil draws from poetic traditions and metaphors of Persian and Urdu, frequently overlain by other conventions and idioms of love in South Asia. Besides locating the unspoken and spoken conventions of dil, we also underscore specific psychoanalytic meanings of “self” and argue that dil is the site both of desire and denial; an alternative but culturally acceptable possibility of romance and a transferred epithet under watchful eyes. en_US
dc.description.statementofresponsibility by Rita Kothari and Apurva Shah
dc.format.extent Vol. 19, no. 4, pp. 532-549
dc.language.iso en_US en_US
dc.publisher Taylor & Francis en_US
dc.subject Censorship en_US
dc.subject Dil en_US
dc.subject Heart en_US
dc.subject Love en_US
dc.subject Romance en_US
dc.subject Sexuality en_US
dc.subject Society en_US
dc.subject Symbolic en_US
dc.title Dil se: love, fantasy and negotiation in hindi film songs en_US
dc.type Article en_US
dc.relation.journal Interventions: International Journal of Postcolonial Studies


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