Making knowledge visible: artisans, craftsmen, printmakers, and the knowledge sharing practices of 19th-century Bengal

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dc.contributor.author Kankaria, Siddharth
dc.contributor.author Chakraborty, Anwesha
dc.contributor.author Manna, Argha
dc.contributor.other Bristol University Press
dc.coverage.spatial United Kingdom
dc.date.accessioned 2023-08-09T14:08:52Z
dc.date.available 2023-08-09T14:08:52Z
dc.date.issued 2023-07
dc.identifier.citation Kankaria, Siddharth; Chakraborty, Anwesha and Manna, Argha "Making knowledge visible: artisans, craftsmen, printmakers, and the knowledge sharing practices of 19th-century Bengal", in Race and sociocultural inclusion in science communication, DOI: 10.51952/9781529226829.ch014, UK: Bristol University Press, pp. 222-238, Jul. 2023, ISBN: 9781529226829.
dc.identifier.isbn 9781529226829
dc.identifier.uri https://doi.org/10.51952/9781529226829.ch014
dc.identifier.uri https://repository.iitgn.ac.in/handle/123456789/9085
dc.description.abstract Colonial India has a rich precedent of engaging publics with knowledge through printed publications of various formats and readerships. The advent of printing in India is often regarded as a European undertaking, and the role of Indigenous artisans, craftsmen, and printmakers in enabling the printing revolution in India is often marginalised. There is an urgent need to acknowledge and include the historical contributions of such marginalised actors to reorient the study of knowledge-sharing practices towards local communities. This chapter provides a historical account of knowledge-making and sharing practices of 19th-century colonial Bengal. It begins by briefly describing the key institutions involved in these activities, the social, cultural, and political contexts of those times, and what constituted 'knowledge' for different groups of people at that time. It documents the rise of the printing enterprise in colonial Bengal as a knowledge-making and sharing institution, with a special emphasis on the development of Bengali-language printing, as well as the rise of the genre of publications called Battala, which was characterised by its own visual style and accessible thematic content. The chapter comments on the role of these developments in challenging the existing power structures and social hierarchies of colonial Bengal and subsequently democratising access to knowledge in those times. It also proposes some learnings for contemporary science communication practice in terms of making knowledge-making and sharing practices more inclusive, collaborative, and reflexive. The chapter concludes by making a case for centring the marginalised within the research, practice, and teaching of science communication and broadening the scope of mainstream science communication to help move towards a more diverse, decolonised, and community-centric understanding of knowledge-making and sharing practices.
dc.description.statementofresponsibility by Siddharth Kankaria, Anwesha Chakraborty and Argha Manna
dc.format.extent pp. 222-238
dc.language.iso en_US
dc.publisher Bristol University Press
dc.subject Knowledge-sharing practices
dc.subject Printmaking technologies
dc.subject Colonial Bengal
dc.subject Marginalised communities
dc.subject Artisanal knowledge
dc.title Making knowledge visible: artisans, craftsmen, printmakers, and the knowledge sharing practices of 19th-century Bengal
dc.type Book Chapter


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